Sunday I stopped into Holt’s store on Walnut Street in Philadelphia after an excellent Philly Pops concert. I had gift card burning a hole in my wallet and I didn’t want to spend any of it on shipping (turns out I could have used it on the box of Room 101 Uncle Lee I bought yesterday on the website, would have made it $23 instead of $43…at $43 it was a deal too good to pass up if you like the cigars, which I do, and they will never be made again since Matt Booth left the cigar business). So I walked through the shop and picked up some of the Holt’s exclusive cigars they have. I already knew I wanted to get a couple of the Tatuaje HCS Reserva Maduro, a Connecticut Broadleaf wrapped cigar made at the My Father factory. I smoked one when I got home, and it was very good. It had some spice and some dark chocolate and I kinda wished I had stopped there and just got some more of these! The size is a 5½” x 50 with a box press and was really a nice smoke. I’m told that the Tatuaje Verocu started life as a Holt’s exclusive, and that’s one of my favorite Tatuajes, although I really enjoyed the crap out of the HSC Maduro.
Monday night I went with another cigar I got at Holt’s, although I don’t think it was exclusive to the store, but it caught my eye any way. The San Cristobal Quintessence is made again by Don Pepin Garcia and is distributed by Ashton, which is owned by the same parent company that owns Holt’s. I smoked the robusto again, another 5½” x 50, with an Ecuador Habano wrapper. I found this cigar to be milder than I thought it would be, with some flavors that aren’t really in my wheelhouse. It was fairly rich, with a dried fruit sweetness, and I’m sure a lot of people will love this, but it wouldn’t be one I reached for. The build was excellent and it performed well. Maybe some lingering sinus funk is to blame.
Tuesday I went with the Rocky Patel Ocean Club, which has been a Holt’s exclusive for many years. Again with 5½” x 50, with a gentle press, where as the San Cristobal was round. Apparently I was buying cigars that fit easily in my pocket to minimize damage on the train rid home. This one had a very loose draw, and made me think of a Connecticut shade wrapper instead of the Nicaraguan wrapper, it was very light in color. This one I also found to be mild, with a different and interesting flavor. Still, I would trade this and the Quintessence for the Tatuaje, but that’s just my personal preference. I found it to be fairly mild, and the open draw made for a pretty quick smoke. As is my normal routine, I bought two of each, so I’ll revisit them at a later date. Since these have been on Holt’s shelves going back many years in my memory, I imaging they sell well enough, so whether I liked it or not is hardly relevant.
I did grab some Arturo Fuente Best Seller Maduros, because I can’t seem to help but pick up something Fuente when I ‘m there. But the cigar I smoked tonight I have no regrets about. This was the Punch Vintage #25 Maduro, in the Corona Gorda (5½” x 46) size. First off, it’s a great size, I don’t smoke enough corona gordas, but I’ve always been a fan. This is made in Honduras, with a blend of Honduran, Nicaraguan and Dominican fillers, and Connecticut Broadleaf binder and wrapper. This was like smoking a chocolate bar, I dug it. I would have been very happy just getting the Tatuaje and the Punch, both were up my alley and I really liked the Punch Vintage Maduro.
I love stopping into Holt’s when I’m downtown, it’s a great place to pick up a few cigars and the lounge is a nice place to relax with a cigar. I still haven’t stopped into the Ashton Lounge upstairs, I’ve been to the predecessor, Mahogany, plenty of times, and I hear the new place is really nice. One of these days. Thanks to the folks at Holt’s for sponsoring a contest here a couple of months back as well as the helpful staff at the store! Also noteworthy was seeing Steve Saka’s Sobremesa and Mi Querida on an end cap.
That’s all for now, until the next time,